Posts Tagged ‘theater’

Rocky Horror at OCT

Monday, April 11th, 2011

Went and saw the 4pm Sunday production of Rocky Horror at the Open Circle Theater in Belltown. The show was sold out, with a fair number of people paying for the upgraded ‘VIP’ experience. In the end, we didn’t get any special seating, but we did get a couple of crackers and a handful of cheese, with our bubbly. Our ‘surly’ service was amusingly provided by Magenta (Terri Weagant), who also provided the title song. I found it especially amusing to overhear one guy, before they’d opened up the house for seating, asking his date, “so, I’ve never seen the movie, what’s this all about anyways?” Then again, I didn’t get to see it in a theater with all the trimmings when it would have been age appropriate myself either.

They used a live band, complete with Theramin. At times, they overpowered the on-stage singers, but eventually the sound guy found a zone where things seemed to be working OK.
Andrew Murray was a very sexy Rif Raf, must catch him in more productions where skin will be involved =p He does a very good sneer and leer. Josh Hartivgson’s Frank N Furter was interesting. He made a suitably shocking transvestite, tall and decidedly masculine no matter what he was wearing. Full of enthusiasm for the part, he made a good centerpiece for the production. Tadd Morgan and Monica Wulzen provided good straight-men performances as Brad and Janet, and Peter Farrar was definitely a well-muscled Rocky.

There’s blood on the stage when Eddie (Billy Hollman) makes his brief appearance, and again when the bag of what’s left stops by, and lots more when the end comes to the aliens left on earth, leading to a perfectly placed puddle for the final spotlight to iris into darkness upon.

An excellent production of a classic musical tale, all involved performed admirably. I was suitably entertained for sure.

Kidd Pivot Frankfurt RM – Dark Matters

Monday, February 21st, 2011

The show was sold out, with people standing out front hoping for tickets like it was a Grateful Dead show, and yet I lucked into a sweet seat in the 2nd row. I could have been in the first, but didn’t realize the normally-reserved-for-disabled-seats were open due to the crowd. In the end, I was kind of glad I didn’t sit in the very front row. When parts of the set start crashing down at the end of the 1st act, front-rowers were noticeably nervous for their feet. And what a show it was. If I have any complaints, it is how quickly and completely they abandoned the marionette. The 2nd act has none of the actuality of the doll, but they do go to great length to present the idea of a dancer controlled by an outside force. An interesting soundtrack, sort of late 90′s industrial techno-y for most of it. It was a worthy show to pay for.

Bugsy Malone at Youth Theater Northwest (PR)

Monday, February 7th, 2011

Went out to Mercer Island on Saturday to check out a performance of Bugsy Malone, by the Youth Theater Northwest.

The space is pretty nice for a youth theater, not really surprising, since it is mercer island. They had a bunch of items out for whatever-is-the-name-of-the-auction-style-where-it’s-a-list-of-prices-you-sign-up-and-highest-priced-signer-wins, at least marginally themed to go along with the show. I put my name down for the pasta and bowl combo.

I attended a 2pm Saturday show, so the crowd was mostly parents with children, many of whom I suspected would be a bit young for a two hour production, and indeed, the family sitting next to me never came back from intermission. Given the crowd makeup, there were amazingly few outbursts or distractions from the action on stage.

The casting was well done. Sasha Conley seemed ideal for the vampish Tallulah character, portraying her world-weary cynicism well for someone who by all rights shouldn’t have the emotionally damaging experiences necessary to inspire it, yet. And she does a great job when it’s her turn to sing. Jay Rosenstein did a good job with Bugsy as well, with the proper mix of bravado and insecurity. Noah Davenport played Fat Sam a little less over the top than the movie version, and wasn’t even remotely fat, like not even TV-fat; side-wonder if it’s difficult to find a young kid willing to play a character named ‘fat’ if said kid is actually hefty, kids not being known for acceptance of their differences. Nathaniel Zang seemed a very studied professional, playing Dandy Dan. It’s hard to know how much the perception of his greater maturity versus the rest of the cast is associated with his size (were 14 year olds really that big when I was his age?) and how much was his spot-on delivery. It’s funny, I still can’t recall Dan having a major song in the movie, but Nathaniel did a memorable-good job with the one he had.

They had a girl play the character who sings “Tomorrow”, but I can’t tell from the program who it was because they didn’t use the same character name (Razamataz) as the movie. She did a good job whomever she was.

I enjoyed the production, the scenery is reasonably done, not too sparse, not too overbearing. They use silly string for their splurge guns, and only splat one pie during the production, presumably trying to keep the mess down. The costume and hair were done really well. According to Sasha, one of the benefits of the 21st century is the availability of how-to videos for flapper stylings on youtube.

Recommended.

Bugsy Malone on Mercer Island

Tuesday, February 1st, 2011

My second favorite musical movie, Bugsy Malone, is currently on stage at the Youth Theater Northwest, on Mercer Island. It’s a heart-warming tale of love and redemption in gangland. Only it’s all about soda and egg cream instead of booze and guns. Well, that’s how the movie goes, we’ll see what they’ve done with it.

Wyrd Sisters at the Open Circle Theater (PR)

Monday, June 28th, 2010

Spent my Friday night in belltown, where I got to see the new police presence they are hoping will magically change the character of a neighborhood gone to the bars.  The reason I was there was a board meeting for the Open Circle Theater, followed by a showing of their newest show, Terry Pratchett’s Wyrd Sisters, one of my favorite of his tales.

The handsome prince from Poona played the evil duchess, part of a gender-role reversal in casting, with a female playing the duke…presumably to over-emphasize the overbearing-ness of the duchess, and the meekness of the duke.  I didn’t spot the shrub in any position.  I found it odd that they threw in two extra players to play pieces of the set, without a dedicated fourth-wall-breaking-dialogue for them.  They performed as chairs for the duke and duchess, and as walls with shelves in other scenes.

It’s odd to see a performance by someone new, of something I’ve seen and read so many time before, and so already have strong expectations of.  With Poona, I knew nothing of the play, or the players, and so took it as it came.  I felt much more critical at this performance, comparing it to the cartoon, and the way I’ve always seen the story play out in the theater of my mind.  It was still a great performance, and if you are in Seattle with an evening to spend, I recommend it highly.

More Poona

Sunday, May 9th, 2010

Went and saw Poona again.  I just loves me that fuckdog.  And the handsome prince =p

Way more people at this performance.  I guess there are moms that would like a nice bit of obscene theater.

The performance was probably better last week from a technical standpoint, with stumbled lines coming from more than one actor, but having a nearly full house gave the show a better energy in the end.  A good afternoon spent.

Poona the Fuckdog (PR)

Monday, May 3rd, 2010

Took some time sunday to check out Poona the Fuckdog, a very funny, very offensive play, currently showing in Seattle at the Open Circle theater.  The character names should give you a clue whether or not it’d be for you… let’s just say there aren’t any words they won’t say during this play. They do a delightfully twisted version of Who’s on First for one character’s name.  The whole play is full of short quick stories, all part of an overall theme of adult fairytale.  It was good enough, I want to go back and check it out a second time.  It’s the kind of play I wish more people would go see.  Heck, I may buy people tickets to get them to go see it.  Just not my parents.

The Woman in Black (PR)

Sunday, February 28th, 2010

Went with Q to see The Woman in Black.  The quotes make it sound like it’s gonna be piss-your-pants scary.  It was not.

Don’t get me wrong, I love it.  Thought it was very entertaining, with a unique twist on the play within a play genre.

But it wasn’t scary.  It had a lot of humor, actually.

The Open Circle Theater is an interesting space to see something in.  It’s small, and the seating is split onto two sections at right angles, so the actors must always play to one side or the other.  Center stage faces a structural beam.  They serve liquor, and you can drink while watching the show, so that’s cool.   The price seemed reasonable, only $8 per person.