Posts Tagged ‘music’

Google Music Beta

Friday, June 17th, 2011

Got my invite to the google music beta this morning and started trying it out.
The initial scan of my media library went fairly quickly, in part because it looks like they are just doing a search for media files by type during the first pass, and not actually attempting to parse them until they add them to your library. This of course means that it gives me the annoying “we’re going to load a random selection of your library because it’s too big for us”, with no way to tell it which tracks/artists/albums to prioritize. And the loading process is slow. It’s been running since 8am this morning and is only 900 songs in (it says it’s going to load 20,000 eventually). It’s not clear if checking the “free music” buttons during setup means I’ve given up some of the 20k slots to their music, or if I’ll end up with 20k of mine plus the freebies. In another 80 hours we will see where things are at, I guess.

UPDATE: 27 hours later and we’re all the way up to 7000 songs.

It’s also not impressing me with the way it randomly decides to split an album into two entities even though all the visible metadata matches. While editing metadata for an individual track was obvious, it’s not clear how to merge two albums that should be one, or to fix the same data for multiple tracks at the same time.

Will have to give a fuller evaluation once it’s finished the loading process, and I can see how well they select from my music.

Kickstarter finds

Monday, May 16th, 2011

Found a lot of interesting music browsing Kickstarter.com for projects ending soon, even ended up backing a couple, mostly ones that offered an affordable reward level that included recording a cover song of my choice. My initial thoughts were to see how many variations I could get on Gary Chapman’s Your Love Stays With Me, but I’m also considering Amy Ray’s Johnny Rottentail, Haystak’s Fucked Up, Rehab’s Bump, Phranc’s Hitchcock, Size 14′s Formula Guy, Rolf Harris’ Nick Teen and Al K Hall, Kitchen Syncopators’ Louis Collins, and more. We’ll see what ends up happening. In the meantime, I recommend listening/supporting:

Matt Pryor – I’m Sorry Stephen is a haunting song about the death of a friendship at the end of a relationship where you knew both people.

Whitney Monge – Soulful singer/songwriter in the girl and a guitar vein.

Wesley Willis – Comedy rock – OK, I’m not sure where I found this guy. He died in 2003, so he’s not running a Kickstarter…maybe he was a recommended/related link from one of the other bands? wierdness

Vagabond Opera – Burlesque style tunes

Theresa Andersson – Female singer above well produced eclectic soundscapes, very Kate Bush-esque

Tara Greenblatt – “When I die, I hope that I am naked” – Funeral Song — reminds me of Sister Monk Harem, female singer, hand drums, significant funk

Stephanie Carlin – Another soul filled crooner-gal

Phone Calls From Home – Modern rock and roll from young guys – only $5,000 and you could go on the Vans tour with them this summer =p

Outernational – Reminds me of mid-90′s Sublime-style southern-cali rock.

Jullie Lee – southern gal sings with southern style

Gillian Grassie – Modern pop with a harp

Eliza Rickman – Female vocals, a toy piano, sparse arrangements, strong sentiments

Clem Snide – Singer/Songwriter in the soft alt rock style that reminds me of Peter Case.

Caroline Smith & The Good Night Sleeps – Female fronted folk-pop goodness

UPDATE: Note to future Kickstarter-ing bands, your video should have some MUSIC in it, not you talking. I’m not going to help out a band I’ve never heard a single song from. Talking over one of your tracks isn’t helpful either; the music is the focus of the project, it should be the focus of your video. I already know what kickstarter is, so please don’t waste both our times explaining it. Seriously, I look through the projects ending soon, and 99% of the time, the projects that are sitting at 30% funded and only minutes to go all share a common theme of a project video that’s all talking.

Magic Flute @ Seattle Opera follow up

Wednesday, May 11th, 2011

I have been meaning to write up a review of Saturday night’s Opening Night performance, covering my delight and realizing two of my favorite songs from the Amadeus soundtrack are part of this opera, my annoyance at the people who snuck into the box seating area during intermission with a noisy kid who nearly dropped stuff over the edge (instead he dropped it on me), the amusement of seeing Razor scooters on stage, etc etc. Then I got a phone call last night, trying to sell me more tickets. I could have sworn that at the point in the check-out process where they asked for a phone number, they assured me it was not going to be used for marketing purposes, but looking at their printed Privacy Policy, I see that they saw “We will not trade or sell your phone number or e-mail address to any other business or organization”, leaving themselves open to misuse your information for their own benefit. But then I saw that in the section on how to opt-out of that usage of your information, they imply that the above statement is actually a hollow promise, that doesn’t include “your mailing information traded to other arts or non-profit organizations.”

Now I’m conflicted. Part of me feels strongly that any business that uses cold calling sales should be punished for their arrogance and anti-customer attitude, but I like the opera and want to go again. I think the best I can do is continue to buy single-show tickets to operas I want to see, while purchasing a subscription to some other arts group, and sending the receipt of said purchase to the marketing director of the Seattle Opera, along with an explanatory note of why I will not be making a direct contribution to them, nor letting them benefit from the 100% matching my employer would make.

Michelle Shocked @ Dimitriou’s Jazz Alley 03-28-2010

Tuesday, March 29th, 2011

The was my first trip to the Jazz Alley, but hardly my first Michelle Shocked show. The Alley is nice, and I thought the food was tasty enough, even if they don’t take Discover =\

I was probably 20th party in the door, but still managed to get the table right in front of Michelle’s mic stand. Ended up sharing the table with 1 guy who said very little and a nice couple from La Conner that had been to the Alley before, but had never seen Michelle.

It was a good show, only a small bit of ‘opening act’-ish stuff from her backup band without her, some of her doing seriously retro stuff solo, then the band and her did 5 pieces to go along with 5 paintings her man has done, Georgia O’Keefe, Amelia Earhart, Ella Fitzgerald, Anne Frank, and Audrey Hepburn. After a short break, she came back to do mid-career favorites, ending the encore with a medley of requests in semi-alphabetically order, even playing Hello Hopeville. I’d like to think it was because I kept asking for it and remembered her introducing Leroy the last time she came to town.

Pogo at Chop Suey (review)

Friday, March 11th, 2011

I don’t think I’ve ever gone to a show at the Chop Suey space before. On the way down, even though I looked up the address online, I was still thinking it was going to be the closer to the pike/pine/broadway side of madison, and so thought my parking space was horrible. When I realized it was the space across from Piecora, then I knew it was only a half-bad space.

By the time they opened the doors around 9, there was a small group waiting. I ended up being 3rd in the door, and so had the entire place to pick over for seating, but as soon as the club started filling up, and some really tall dude with a big head of fuzzy hair kept standing right in front of my view line, and I decided I wanted to get my groove on anyways, so moved up to stage right, which ended up being the perfect spot for all three acts.

The first opener was Absolute Madman, who performed a decent set of mashup/turntableism-y stuff. He had a few moments of discord between a couple of songs, but was otherwise quite good.

The second opener, Lynx, was amazing in one of those ways that I suspect I’ll end up following her stuff just as religiously as I have Pogo’s, if not more-so since her stuff is easier to listen to and keep track of since she’s got a few albums on Rhapsody for stream/purchase/etc. I do wonder how much she see’s from those plays, since it looks like rhapsody has another artist named lynx, mixed in with her.

By the time it was Pogo‘s turn, the place was fairly well packed and I was glad for my spot where no one could block my view. There was an interesting mix of people in terms of ages and apparent subculture affiliations. When a song would get to a shout-along point, they all knew the words and timing well, so definitely fans who wanted to be there, not people exploring a Thursday night with nothing else to do. He played lots of the tracks he’s well known for, and quite a few that I’d never heard/seen. Casablanca, Wizard of Oz, some RomCom with a guy/girl couple I didn’t recognize at all, a second song from Alice, but sadly not “Go Out and Love Someone”. It was funny listening to a couple of 20-something girls behind me going “WTF” at the H R Puffenstuff based song. Ah those crazy croft seventies.

I can’t wait for him to finish the trip to Tibet.

Dave Richmond – Movin’ Along

Thursday, February 24th, 2011

Another never-knew-I-had-it-random-find, Dave Richmond – Movin’ Along.
A little 70′s folk-rock-synth-y bit of joy, if you aren’t whistling the chorus, you might as well go back to bed, you’re just too depressed for the rest of the world.

Pogo in Seattle!!!!

Wednesday, February 23rd, 2011

Pogo is coming to Seattle, March 10th. I’m so psyched. I just couldn’t justify a plane ticket to Australia just to hear him, so this is much more ideal for me =p

That song is not by Wendy Ip

Tuesday, February 22nd, 2011

There’s a song I love, “I Was Here” by Letterbox (Australia). It’s not clear if the album’s name actually was “none” or if that’s what got tagged because it was a single download. The name “Wendy Ip” always comes up in my mind when I try to search my itunes library for the song because I downloaded a song by Wendy at the same time. Hopefully this entry will help me remember the right name to search for next time it gets lost in my mind.

“3 o’clock in the afternoon
and I’m walking to the corner ?? newspaper
mobile rings and it’s that guy
i met last time
it’s amazing how time flies
following the breeze along the old school wall
the feeling says it all
i was here
you was here
and then
and then we were no more
and then we were no more
and then we were no more
and then we were no more no more

he called me and i called you
and there was little I could do
once the phone ran out
you’re on the other side of the sea
it’s amazing how our lives end up to be

and i’m on the other side of the station
where the rent is cheaper
glad you got the keep together

i live across within the shade of a tree
and the block where the swings used to be
broke down and cried
when I remembered a rhyme from a song
we danced to that time
got up and touched the old school wall
feel it said it all

i was here
you was here
and then
and then we were no more
and then we were no more
and then we were no more
and then we were no more no more

i was here
you was here
and then

and then we were no more
and then we were no more
and then we were no more
and then we were no more no more

Love me the way I love you

Wednesday, January 26th, 2011

Winter comes and snow
I can’t marry you, you know
Without children to grow
I can’t marry you, you know

Love me the way I love you

Music and words together

Tuesday, January 4th, 2011

On very rare occasions, the original source for a song sample will come up in my random playlist, providing a moment of cognitive dissonance. Today, I heard Jack Kerouac’s voice talking about jazz, and had a moment of recognition, connecting his spoken word piece from some collection of beat poetry, to the sample at the beginning of a Chumbawamba song.