Archive for the ‘dance’ Category

Viva Oz Vegas at Triple Door (review)

Friday, March 25th, 2011

So I think I’ve learned to avoid the early show at the Triple Door, at least for something like burlesque; this review covers the 7pm showing on Thursday 3/24/2011.

Food first – I decided to go against habit and tried the evening’s special, a lamb curry that was supposed to be spicy-hot. The portion size for the ‘full’ order was good, and the sauce was a very tasty curry, but not hot at all. The veggies were minimal which wouldn’t have been a bad thing if the meat had tasted fresher/less-game-y. In the end I ate less than half the meat, but all the rice/sauce/veggies I could. It was a disappointing start to the evening.

I was a little put off by the way they started the show with what seemed like at least a half hour of the band singing cover songs. Well, maybe they were singing. Everyone but the drummer looked to be lip-syncing and faking their instruments, but maybe it was just the aural dissonance of seeing such a Johnny-Cash-esque-bass come out of such a small guy. Either way, I was really surprised at how long they kept the stage dancer free. When they did finally bring in dancers, the guy side of the cast was underwhelming to say the least. Usually a Can-Can show is fun for watching both guys and girls, but not this one. The girls did have very realistic showgirl attire, but it was hard not to compare against the Nutcracker show I saw last Christmas, which was much more elaborate in sets and costumes.

Three ladies performed a nice set on the rings, and came back again to perform on hanging ropes during the second half of the show. Which brings me to another WTF moment, getting back to my seat after intermission, looking at the clock and seeing 8:16, when the show is supposed to be over by 8:30. And it was over by 8:40, so they did a 10 minute intermission before a 20 minute set? I have to assume the balance of musical and dancing numbers is better during a late show. And I also assume that in the late show you see more skin; you got a brief peak at “Marilyn’s” covered nipples at the end of the 1st half of the show. There seemed to be a lot of missed lighting cues during the entire evening.

Frankly I was underwhelmed. I expected more out of a Can-Can show on the Triple Door stage. Don’t get me wrong, I think all the performers put in a good effort with the material they were working from, but it seemed like a half-hearted attempt on the part of the director. It could be just an effect of cutting down the 10pm show for time and age (I notice the 7pm show is listed as just 17+), but still seemed like they could have done better. I was also confused by how comparatively gay/bi unfriendly the show was for something with a Wizard of Oz theme, and seemed very out of character for the Can Can shows I’ve seen before. I don’t me unfriendly in the sense that they did gay-bashing-jokes, but rather in a if-you-are-gay-dont-bother-coming-nothing-to-see sort of way.

And to the Triple Door itself, this marks the second time I’ve been recently where I felt like the service level has declined noticeably. They did at least take my drink order this time, but it took 20 minutes to arrive, on a night where they weren’t anywhere near capacity. And I found it really skeazy that when they found out I hadn’t come up with a date for my second ticket, they tried to sell my second seat to someone, without planning on giving me my money back. I can live with a no-refunds policy, but if I paid for two seats, but come alone, as far as I’m concerned I paid for a $20 coat check that I can keep an eye on. Certainly not without at least asking me if I mind some stranger sharing my table, ON MY DIME, while you take their money as well.

I think the biggest lesson learned is that there’s a difference between “can can presents” and “the can can castaways present”. I will be paying closer attention next time.

Kidd Pivot Frankfurt RM – Dark Matters

Monday, February 21st, 2011

The show was sold out, with people standing out front hoping for tickets like it was a Grateful Dead show, and yet I lucked into a sweet seat in the 2nd row. I could have been in the first, but didn’t realize the normally-reserved-for-disabled-seats were open due to the crowd. In the end, I was kind of glad I didn’t sit in the very front row. When parts of the set start crashing down at the end of the 1st act, front-rowers were noticeably nervous for their feet. And what a show it was. If I have any complaints, it is how quickly and completely they abandoned the marionette. The 2nd act has none of the actuality of the doll, but they do go to great length to present the idea of a dancer controlled by an outside force. An interesting soundtrack, sort of late 90′s industrial techno-y for most of it. It was a worthy show to pay for.

Oh, it’s IN Polish?

Friday, January 14th, 2011

In retrospect, it’s one of those things that should have been obvious. When every member of the cast has a bio of films with names you can’t pronounce, it’s a good bet that the production won’t be in English. And I was right, there was someone who got naked on stage before the eve was done. He was even cute. But of course I’d sat on the side of the stage with the yelly guy. Oh well, next time =p

In the Solitude of Cotton Fields is self-described as “Styled like an Eastern European punk concert”. The music, the band Natural Born Chillers (99% sure not the same NBC that has an single of Rock The Funky Beat) plays live behind the actors for 90% of the show, was good. Moving somewhere between rock n’ roll and industrial techno, it was loud and effective in setting the moods as it changed paces through the night.

As I mentioned, there were two actors with ‘speaking’ parts. Lucky for me they had one of those overhead libertto display screens, with an english translation. I put quotes around speaking because one of the guys did a lot of yelling and crying, alongside some amazing expressions. The other guy did more dancing, and got naked. When that time came, it was a slow, piece by piece removal, with careful folding and stacking of each garment as it was removed, dimly lit from above, so strong on the shadows. He doesn’t stay naked long, just enough to underscore the sense of vulnerability and surrender (I’m guessing). When it comes time for him to re-dress, it’s done more in the dark, with our attention drawn back to the other actor by the spotlight.

I enjoyed the show, overall. The yelly guy…had I realized, I would have sat on the other side of the stage, or brought ear plugs? I would have hated to miss his facial expressions; he puts a lot of effort into them all, they both did. So much of the show had a sort of stereotypical artsy-ness to it. Edgy in a predictable way. They have a portion of the show that’s more video presentation. The actors face away from the audience and a large screen on the back wall takes over for 10-15 minutes. It occurs to me now, all the words that appeared on that screen were already in English, was that done for this show, or would they have been in english during a performance in Poland?

Gloria’s Cause at On The Boards

Friday, December 3rd, 2010

Went and checked out the show tonight. Got in the door early enough to be front and center, and a good thing too since it ended up a pretty packed show.
Overall, I have to say I was most impressed with the casting. Everyone in the group had to dance, speak in character, and play at least one instrument, and they seemed to be good at all three. Some people danced more than others, some people talked more than others. It was very abstract in it’s presentation of ‘history’. Full of amusing moments of word and movement that l found fascinating. It happens all in one go, no intermission break in the action. The music ranged from jam band drone to metal to folksy guitar strumming and tribal drums. Occasionally they had some video going on the screen above the dancers. It was well synchronized with the music and helped provide a bit of insight into the subject of a particular piece.

The space is interesting. The stage is not raised, but is carpeted and probably padded for dancing and tumbling. There is no curtain, so when two of the players have to start out on stage, they are sitting and standing there for ten minutes or so while people are getting seated. I am curious to see another show there, where a chunk of the stage isn’t taken up by a bandstand.

It’s only on for another two nights, so hurry and see it if you can.

Rocky Goes to Bollywood

Saturday, November 6th, 2010

Checked out a new show at the Can Can, their take on the Rocky Horror Picture Show. They mix in a little bollywood, just for the quirk. I went to a 7:30 show this time. There wasn’t a bachlorette party, so things in the crowd were a little more sedate. Having a plot to follow made the show a little more narrative than last time. The cast size was the same, but they spent more time all on stage, having 3 Frankfurters at one point, and 4 or 5 pairs of Brad and Janet’s. During breaks, they would show a bollywood film in the background, it started with some sort of dream sequence involving tiki statues with flashing lights, goes thru an axe murder, and ends in a beach blanket bingo style number. Nobody spins from the ceiling like in Flux, but it was still a pretty entertaining show. At the 7:30 show, the VIP tix don’t come with alcohol, but do come with a 3 course meal. The soup was a savory vegetable concoction of some sort, I liked it. Got the broccoli salad, also tasty, with flavor completely devoid of my mortal enemy, vinegar. OK, not mortal enemy, I just don’t like it. =p The entree of my choice was the mac and cheese, this time if you picked mac and cheese, you didn’t get to pick from the three types, it was just the three cheese. Tasty as well, but not the chipotle cheddar I love so much. Can’t have everything I suppose.

Flammable at Rebar == fun

Monday, November 1st, 2010

Having no costume parties to attend, I ended up going out dancing at ReBar for Halloween night.  Didn’t even make a half-ass costume attempt, just wore the evil-o-meter t-shirt.  Ended up getting down there a few minutes before doors opened.  I could have sworn they were open as a regular bar prior to shows, but guess not.  Nothing like wandering around downtown Seattle for 15 minutes at night.

I really should ask my bartender friends what it means when the bartender leaves your tip on the bar until you walk away.

Most of the people were in costume of one level 0r another, some extensive.  There was a guy dressed as a package of ZigZag rolling papers.  I had a really good time, while my knee lasted, which was longer than I expected, but less than I would have liked.  It didn’t help that dancing really didn’t start till a good hour after door opened.  Still better than sitting at home watching TV.

Triple Door Love/Hate

Friday, October 29th, 2010

I love the way the Triple Door in Seattle gets some nifty shows.

I hate the way they make you feel if you go as a single, without a date or group of friends.   But that could just be me.

Le Faux at Julia’s on Broadway

Saturday, August 14th, 2010

If you get there, and the seats right by the stage are still open…know that you’ll be craning your neck a lot, and missing whatever they put on the video screen.  But you get a really close view of the action that you can see.

Their Cher was really impressive.  They all were pretty good, really.   When they do the picture-with-the-whole-cast thing at the end of the show, you realize how many people they put on stage through the evening.  The guy who does the hanging cloth acrobatic stuff must work out like crazy, he makes climbing up that stuff look so easy.  They do a lot of comedy talking bits, working with the crowd, including at least one bit that included a plant in the audience, I think.  Or else they just improvised around him really well.

I was entertained.

Flux @ Can Can

Monday, July 26th, 2010

Friday night, went and saw the show FLUX at the Can Can, by the Castaways.

Chicken chipotle cheddar mac n cheese = tasty.  Could have done with more chicken, but there was plenty of pasta and plenty of sauce, and it was nicely spiced.  The little bottle of champagne that came with my ticket was a brand I don’t recognize, and I found it had a little too much bitterness for my tastes, but I rarely drink champagne…sorry, bubbly wines from non-champagne-regions, so maybe it was just fine.

Since I got there before they were ready to start seating, I hung out in the bar for a little bit first.  It’s a very nice piece of carved wood that looks like it belongs in some 300 year old european bar, not underneath the market in Seattle.  They have a large collection of absinthe.

The actual show.

1/4 movements – starts with 4 colored columns of zentai fabric, ends with a 4 person crab walk sort of thing

2/4 – dancing chipmunk, racoon, spaceman and karate woman to anime-techno.  spaceman strips down to a g-string butt shot.  girls come back as light and dark business sexy, finish is one guy up top of a massive purple mountain that spins around, with legs and arms coming out, chainmail coif

3/4 – starts with ‘host’ vlad and the bachlorette, pulls in 3 guys from audience to dance with. Next comes a big spinning-from-the-ceiling bit, with a sparkly square and two of the performers hanging off it.  Ends with the group taking turns dancing in the front, on a turntable to one side, or on the mini-trampoline on the other side of the stage.

4/4 – tamest of the sets, ends with them back in the same place the 4 pillars were, exposing little letter-plates on their butts that spelt out flux.  I ended up not getting a chance to write down my notes from this part, so have little to say about it, d’oh.

Will have to check out another of their shows some day, and take my own camera, since it appears they are OK with photography.  I’d rate the exposure level at pg-13.  It’s more suggestive than explicit, which seems right for a burlesque show.

PNB 2009 Season Encore

Monday, June 14th, 2010

Went and saw the PNB‘s 2009 Season Encore performance yesterday.  They skipped the Mopey, which I had been really looking forward to.  They also hadn’t gotten enough people to fill the upper level economically vs the staff required, so they’d re-seated everyone in 2nd tier…except they forgot the box seats.  So I ended up getting re-seated into the first tier box, for only half the price.  I’ve always wondered how those high up on the side seats would work out.   There was 1 scene where some non-dancing performers were standing so far to the close side of the stage, that I couldn’t really see them, but all the action was in perfect view, plus an extra view of the orchestra pit.  When they were about to announce canceling the Mopey, I could see someone coming to tell the conductor, before the announcer had started her announcing.

All in all, an interesting experience.  Those dancers sure have muscular legs and tight tights.  Too bad I didn’t find my binocs before I went.

UPDATE:  Looks like the ‘encore’ for the Encore was “Rug Dance” from “Ordinary Dances” by Sara Pearson and Patrik Widrig.  Unfortunately, that information isn’t sufficient to find me a recording of the music  behind it =(

UPDATE2:  The guy gave me the wrong name, it’s “Ordinary Festivals”, and he’s looking into what the music was that was played.

UPDATE3:  I decided to make this show my box-seating-experience based on an email from a facebook group called “Seattle Comp Tickets”.  I saw an email that started with “PNB presents…” and ended with “featuring sinners, demons and drag queens. The Devil (played by the fabulous Anita Goodman) will be your host, as audience members are encouraged to volunteer their “sins” for judgment.”  What I didn’t notice was that the second paragraph was for a completely different show.  It seemed like a significant disconnect between what I saw, and what the e-flyer had said I’d see.  Silly me =p